Workshops

& Program Design

Upcoming Workshops

I offer Squarespace Group Learning for up to 6 participants.

Learn more

Recent Workshops

Business Skills for Creators

Most artists do not receive any kind of business training in academic programs, making it difficult to sustain a career. We recognize that the creativity, resourcefulness, discipline, and clarity of mission that fuels one’s creative practice can also support a sustainable art business practice.

We approach art business training by first identifying and clarifying each artist’s core values (mission), and the people who value what they do (customers and supporters). From there, we build on the knowledge and structures that are needed to grow, sustain, and thrive (value proposition, marketing plan, income streams, legal structure, etc.). Our curriculum focuses equally on the person (values and vision, goals, money management, budgeting, taxes) and their business (landscape, customer segments, financing, and planning). We do this work together, as a community, knowing that we are not alone, that our fears and frustrations are shared, and that we can lean on one another to find solutions and grow. 

Guest presenters enter the space as peers and advisors, taking care to learn about the workshop participants and meet them where they’re at. It’s common for program graduates to continue working with one or more of the instructors after the workshop ends, as they continue to develop their business.

Business of Art Workshop Packages

6-week virtual series (sample outline)

10-week virtual series (sample outline)

Individual topic webinars (examples below)

All workshops are tailored in content & format to your artist community.

Our Cohort Learning Model

Rhizomatic Arts is rooted in the understanding that exchange and partnership on a person-to-person level produce a strong, sustainable community, with each of us personally invested in the success of our peers. We exist to counter paradigms of scarcity and competition with a culture of abundance, connection, and interconnected growth. Our credo is “Work independently, not alone.”

When you get artists in a room together talking about what they love – and they aren’t competing with one another for resources – they get excited by each other, and organically start collaborating. Creating the space for those organic relationships to build, grow, and deepen is essential. We support these relationships by creating the conditions where every participant feels seen and heard, setting a friendly and supportive tone with community agreements and informal efficiency, and frankly addressing our fears and vulnerabilities.

We start with a room of strangers and turn them into a supportive community of peers with the tools and knowledge to thrive, which helps our arts community to become more healthy and resilient.

Our workshops stand out from many in the field, where webinar attendees are invisible and anonymous, consuming content without making personal contact. In our workshops, we cultivate trust, and real relationships are the outcome.

Lesson excerpt:
Your art practice vs. Your art business

Lesson excerpt:
Understanding Customers

ALLISON WYPER, PROGRAM DESIGNER & FACILITATOR

photo: Amanda Bjorn Photography

I am an artist, consultant, and arts entrepreneur with over 20 years of experience providing administrative, marketing, and production support for individuals and organizations. I specialize in thoughtful professional development program design, one-on-one coaching, marketing and communications, intuitive website design, and economical administrative systems. 

I am a movement-based performance artist with a background in dance, theater, performance art, and site-specific performance. Offstage, I have always been an organizer and supporter of other artists, and that has taken many formal roles, from curator to bookkeeper to workshop facilitator. I founded Rhizomatic Arts in 2014 as a way to formalize the various ways that I support artists under one conceptual umbrella, to claim my space as an independent entrepreneur, and to conceptualize that work as a creative social practice. I understand artists and their art businesses because I am an artist who cultivated a business model that reflects who I am and what motivates me to help others. 

 
 

I am a Master Facilitator of the Business of Art curriculum created by the Center for Cultural Innovation (CCI). As Artists Knowledge Manager at CCI from 2017–2023, I curated and produced up to 40 professional development workshops annually for artists in all disciplines and career stages. In total, I facilitated 16 Business of Art bootcamps, and oversaw publication of the 3rd Edition of the Business of Art workbook. In 2024, I designed and led Teaching the Business of Art, a certification training, and wrote the publication Teaching the Business of Art: A Guide for Facilitators.

I designed and facilitated five Artist Bootcamps for the City of West Hollywood from 2020–2025, and piloted The Artist Accelerator for the Nevada County Arts Council in 2026. I presented Artful Entrepreneurship intensives for the West Business Development Center in 2024 and 2025, with a third iteration coming in Spring 2026.

In the course of my career, I have taught, produced, and facilitated workshops on art business, creative practice, experimental performance, and collaborative processes at/for West Business Development Center, California Lawyers for the Arts, 18th Street Arts Center, Pieter Performance Space, Feminist Center for Creative Work, UCLA, USC, CalArts, Art Center College of Design, CSUN, UC Riverside, Silverlake Independent Jewish Community Center, Space 4 Art San Diego, Emerson College, Zero1 Biennial, Hemispheric Institute Encuentro, Contemporary Calgary, and the Center for Interdisciplinary Arts Studios in Perth, Australia. I have created and produced programming for the Cities of Santa Monica, West Hollywood, Sacramento, and San José, California Community Foundation’s Fellowship for Visual Artists, Art Center College of Design, CalArts, CSU Long Beach, Play the L.A. River, College Art Association, Grand Park, Nevada County Arts Council, and the Hammer Museum.

Collaborators

These are some of the trusted artists + business experts who co-teach our learning experiences.

  • I felt uplifted and supported by Allison, the fellow participants, and the guest teachers. It was validating to work with peers on problems and issues that resonated with all of us, knowing that we are not alone on this adventure toward creating our artistic dreams.

    Kristi Schultz, Business of Art

  • Absolutely brilliant resources, spreadsheets and anecdotes provided throughout the presentation. Thank you Allison!! Your hard work is very much appreciated.

    Participant, WeHo Artist Bootcamp

  • I was super excited for the class, knowing it would help me, but couldn't have predicted just how much. The difference in how I view myself as an artist and business owner before and after the class is huge.

    Megan Broughton, Business of Art

  • An invaluable experience to receive precise feedback on my work from other artists from various performance backgrounds.

    Shaina Lynn Simmons, Performance Lab

  • One of most effective and beneficial workshops I’ve ever been to. The activities helped to really hone in on the weak spots in my ‘pitches’. It also left me feeling encouraged and inspired.

    Yasmine Diaz, How to Talk (and Write) About Your Work

  • This highly safe, community-driven setting really allowed me to freely experiment and explore my relationship to performance out loud and figure things out in the presence of friendly peers in a respectful, fun, and rigorous environment. I really did feel independent, yet never lonely in my artistic pursuits. Thanks Allison! :)

    Tim Tsang, Performance Lab

  • I appreciated the way Allison scaffolded the learning each week and gave us doable steps that kept me on track. I've needed a new website FOR YEARS; with her strong teaching and gracious 1:1 advice, Allison empowered me to finally launch my website!

    Tricia Creason-Valencia, Squarespace Group Learning Cohort

  • Artists want to make art. If you can't at least break even, you won't be in business long. This course allowed me to look at The Business of Art from many perspectives. And then design a plan around the lifestyle I want to create. That feeling of Peace of Mind? Priceless.

    Participant, The Artist Accelerator

Other Available Workshops

A workshop flyer featuring a drawing of the progression of plant seedlings from germination to adult plants, with the question "Can I Make a Living Doing This?" and the subtitle "a workshop for artists like you and me!" by Allison Wyper of Rhizomatic Arts.

Can I Make a Living Doing This?

Cover image with beige background featuring large white text that reads 'INCOME STRATEGIES FOR ARTISTS' and a dark green plant with broad leaves on the right side. The top left corner has smaller white text that says 'RHIZOMATIC ARTS'.

Income Strategies for Artists

Large black text on a pale yellow background that reads "Creating Your Artist Website" by Allison Wyper from Rhizomatic Arts. On the right side is an illustration of a computer monitor displaying silhouettes of various plant leaves and stems.

Creating Your Artist Website

Group of people sitting around a conference table engaged in discussion at an art gallery or museum.

How to Talk (and Write) About Your Work

Performer wearing a mask in a black outfit kneeling on a wooden floor, performing in front of an audience sitting on the floor.

Rhizomatic Studio: Performance Lab

Two men, one with a beard standing in front of the other in a room with a plain gray background.

Rhizomatic Studio: Collective Creation Lab