Remainders Creative Reuse, a 6000 square foot arts and crafts thrift store in Pasadena, diverts materials from landfills while providing inexpensive supplies and inspiration to artists of all ages and experience levels. They also host classes and other programs, curated by Rhizomatic Arts community member TOBAN NICHOLS, who says, “My art practice feeds into my work at Remainders and vice versa… It’s the mix I’ve always dreamed of, and the freedom I hoped I would someday have.”

The Contemporary Art League was co-founded by Los Angeles artists who believe that, together, we have the power to change the material conditions for artists and arts workers. “We want our community of art workers to be able to live dignified lives with a commitment to creating and caring for visual culture, and we want that for ourselves, too.” Read on to learn about their vision for a “cooperative trade organization” for L.A. County artists, and how to get involved!

When I met Santa Fe-based ERIN ELDER, I immediately recognized a professional soul mate. She takes a personal, therapeutic approach to supporting artists in their careers over weeks, months, or even years.

Created by artists SUSAN SCHWARTZ and VIRGINIA BROERSMA, the FARE Contract is a free, artist-centered sales agreement that advocates for elevating the rights of artists when their work is sold. “We believe that by empowering artists… we can embed a sense that asking for and negotiating your rights is something any artist can and should do.”

TATIANA VAHAN’s art projects, which include the Los Angeles Artist Census and the bar-fund, function as community-based activism through projects “organized on the principles of direct action, cooperation, and self-determined power by artists.”

KATRINA FRYE is keeping a close eye on the economic conditions that artists must work in, and common pitfalls that make it harder for all of us to do well. She says: “If we aren't careful we will suffer if more people offer below market rates for sub par work. I am working alongside younger people right now to educate them on their market value.”

VIRGINIA BROERSMA is a fine artist who puts her administrative and organizational skills to work for others. She says, “I want to contribute to shaping the art world/community/market that I want to participate in. This world would offer opportunities to a wider swath of people, would support art and art makers as essential pieces of our society, and would make artists feel valued and less desperate.”

KARINA VAHITOVA is a poet, movement artist, and co-founder of VOID ACADEMY. She says, "Artists cannot depend on institutions and so we are helping them to find ways to have thriving careers outside, or at the very least alongside, the kinds of support institutions can sometimes provide to them."

MOLLY SCHULMAN is an artist, a new mom, and co-founder of Maiden LA, a DIY take on an art festival or biennial. As Molly puts it: "It can be intimidating and bewildering to navigate the art world and Maiden LA provides a rare forum where an unrepresented artist working out of their garage is on the same plane as an institution like the Getty."

STEPHANIE DIAMOND is a social practice artist who says: "I believe we all tasked with taking care of ourselves as individuals within a public. We have to create the system we want to live in."